My work moves through different subjects, each opening its own way of looking:

Mountain landscapes — often traced through vintage photographs of skiers and climbers, where the vastness of nature meets the quiet presence of those who move through it.
Portraits — moments of stillness, character, and the subtle tension between what is shown and what remains unseen.
Cinematic scenes — film stills that hold a single frame of a larger story, suspended between reality and fiction.
Girls with Guns — a series where pose, power, and vulnerability intersect, echoing the visual language of film noire.
Science and numbers — fragments of diagrams, formulas, and measured thought, bringing a different kind of precision into the work.

Together, these subjects form the range of worlds I explore — from the physical to the imagined, from the documented to the abstract.